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This song, along with many others, is helping me out today.
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
This song, along with many others, is helping me out today.
For Bobbie
YESTERDAY I wanted to
speak of it, that sense above
the others to me
important because all
that I know derives
from what it teaches me.
Today, what is it that
is finally so helpless,
different, despairs of its own
statement, wants to
turn away, endlessly
to turn away.
If the moon did not . . .
no, if you did not
I wouldn’t either, but
what would I not
do, what prevention, what
thing so quickly stopped.
That is love yesterday
or tomorrow, not
now. Can I eat
what you give me. I
have not earned it. Must
I think of everything
as earned. Now love also
becomes a reward so
remote from me I have
only made it with my mind.
Here is tedium,
despair, a painful
sense of isolation and
whimsical if pompous
self-regard. But that image
is only of the mind’s
vague structure, vague to me
because it is my own.
Love, what do I think
to say. I cannot say it.
What have you become to ask,
what have I made you into,
companion, good company,
crossed legs with skirt, or
soft body under
the bones of the bed.
Nothing says anything
but that which it wishes
would come true, fears
what else might happen in
some other place, some
other time not this one.
A voice in my place, an
echo of that only in yours.
Let me stumble into
not the confession but
the obsession I begin with
now. For you
also (also)
some time beyond place, or
place beyond time, no
mint left to
say anything at all,
that face gone, now.
Into the company of love
it all returns.
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Must return
Link Roundups consist of all the interesting things that occupy my time while I’m at work.
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The end of the affair is always death.
She’s my workshop. Slippery eye,
out of the tribe of myself my breath
finds you gone. I horrify
those who stand by. I am fed.
At night, alone, I marry the bed.
Finger to finger, now she’s mine.
She’s not too far. She’s my encounter.
I beat her like a bell. I recline
in the bower where you used to mount her.
You borrowed me on the flowered spread.
At night, alone, I marry the bed.
Take for instance this night, my love,
that every single couple puts together
with a joint overturning, beneath, above,
the abundant two on sponge and feather,
kneeling and pushing, head to head.
At night alone, I marry the bed.
I break out of my body this way,
an annoying miracle. Could I
put the dream market on display?
I am spread out. I crucify.
My little plum is what you said.
At night, alone, I marry the bed.
Then my black-eyed rival came.
The lady of water, rising on the beach,
a piano at her fingertips, shame
on her lips and a flute’s speech.
And I was the knock-kneed broom instead.
At night, alone, I marry the bed.
She took you the way a woman takes
a bargain dress off the rack
and I broke the way a stone breaks.
I give back your books and fishing tack.
Today’s paper says that you are wed.
At night, alone, I marry the bed.
The boys and girls are one tonight.
They unbutton blouses. They unzip flies.
They take off shoes. They turn off the light.
The glimmering creatures are full of lies.
They are eating each other. They are overfed.
At night, alone, I marry the bed.